![]() ![]() 50 cents / Size: 6.75" x 9.25" / Standard modern US format / Cover: Glossy Color / 28 pages / Artists: Robert Crumb / Pete the Plumber Mr. Please leave positive feedback for us upon safe arrival of your item.Īrt Comments: Robert Crumb story, cover and artĭate Published: May 1971 / Publisher: Apex Novelties / Cover Price. We will leave you positive feedback upon payment. Please E-mail us we will gladly answer any questionsĪnd send you additional pictures if you request. We're sorry but we cannot take your order. If you do not live in one of the 50 states of the USA Your item will be secured, sealed in plastic and boarded. Your item will be shipped as soon as payment is received. Paypal is the only payment method that we currently accept.Īll addresses must be verified and confirmed with Paypal. and is extremely rare in this signed condition. It is the only signed copy on sale at this point in time. here is a signed near mint copy of Arcade #2. One item that Robert resists signing the most are comics. He lives next door to Robert and his sister Aline in the South of France. Obtained this personally signed copy from R. HISTORICAL FOOTNOTES: The Print Mint produced approximately 30,000 copies of this comic magazine. Hey, did anybody remember that this is supposed to be comics? And "Classics Crucified" gives us Goethe's "Faust," which just seems to plod its way through four pages. The biopic of Henri Rousseau, "A Couch in the Sun," delivers little of the magic I would expect from an artistic genius like Rousseau. Crumb's "Modern America," but struggles in various areas from there. Crumb" on First Page, Arcade, The Comics Revue #2 continues the ambitious objectives of the editors and contributors. 2 print mintĪrcade, The Comics Revue #2 Only Prin.)Īrcade, The Comics Revue #2 Only Printing, Near Mint Condition, Cover $1.25, June 1975, 44 Pgs., The Print Mint, Authentic Signature "R. Crumb, from his introduction to this volume 16 color, 128 black & white illustrationsĪRCADE : THE COMICS REVUE vol 1 no. This was a thrilling idea to me ― a dream come true."―R. This went over so well that he suggested I draw comic books and he would publish them. late that summer one of the underground paper publishers asked me to do an entire issue of his paper Yarrowstalks (corny hippy spiritual stuff ― 'yarrowstalks' are what they used to throw the 'I Ching'). These 1967 strips of mine contained the hopeful spirit of the times, drawn in a more lovable 'bigfoot' style. I began to submit LSD-inspired strips to underground papers. "I figured it out somehow ― the way to put the stoned experience into a series of cartoon panels. In this volume: Zap #0 & #1 ("Keep On Truckin'!"), Crumb's work from the East Village Other and Yarrowstalks, plus much rare art, some of Crumb's long-lost American Greetings cards from the '60s, and more. The series includes the earliest, heretofore unpublished comic strips, as well as his sketchbooks, underground comix, dramatic and autobiographical strips, and his classic cartoon creations Fritz the Cat and Mr. Crumb, one of America's most original, trenchant, and uncompromising satirists. Sixties! continues the multi-volume series comprising the complete works of the legendary cartoonist R. Sixties!Ī classic volume of the definitive Complete Crumb libra.)Ī classic volume of the definitive Complete Crumb library, back in print after years of unavailability! Crumb: The Complete Record Cover Collection is a must-have for any lover of graphics and old-time music. Including such classics as Truckin' My Blues Away, Harmonica Blues, and Please Warm My Weiner, Crumb's opus also features more recent covers done for CDs. So remarkable were Crumb's artistic interpretations of these old 78 rpm singles that the art itself proved influential in their rediscovery in the 1960s and 1970s. This early collaboration proved so successful that Crumb went on to draw hundreds of record covers for both new artists and largely forgotten masters. It was an invitation the budding artist couldn't resist, especially since he had been fascinated with record covers-particularly for the legendary jazz, country, and old-time blues music of the 1920s and 1930s-since he was a teen. Robert Crumb first began drawing record covers in 1968 when Janis Joplin, a fellow Haight Ashbury denizen, asked him to provide a cover for her album Cheap Thrills. ![]() ![]() Crumb: The Complete Record Cover CollectionĪ landmark work that pays splendid homage to a forgotte.)Ī landmark work that pays splendid homage to a forgotten era of seminal American music. ![]()
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